Design Research: History, Theory, Practice - Histories for Future-focused Thinking
(Re)working the Past, (Dis)playing the Future. Italy: The New Domestic Landscape at MoMA, 1972
Ingrid Halland Rashidi
University of Oslo
Keywords: nonhuman agency; ontology; display; climate change
Would a work—a painting, a building, a chair or a display—always operate within the framework of human intention? To bring thinking into the future, there is a need for future-focused methodologies. In this paper I will re-work the past by addressing the agency beyond human intention. By using the 1972 MoMA exhibition “Italy: The New Domestic Landscape” as the empirical case, the paper will show how not only humans conceptualize reality, but things themselves have the capacity to display the future.
This paper is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence.
Cite this paper: Rashidi, I.H. (2016). (Re)working the Past, (Dis)playing the Future. Italy: The New Domestic Landscape at MoMA, 1972 . Proceedings of DRS 2016, Design Research Society 50th Anniversary Conference. Brighton, UK, 27–30 June 2016.
This paper will be presented at DRS2016, find it in the conference programme